I'm a composer, sound artist, and independent researcher based in Sweden, working across acoustic and electroacoustic composition and code.
My work draws on mundane sonic structures and spontaneity, building layered narratives through systems whose behaviour shifts with the listener's position. It investigates agency within various sound fields.
WHO OWNS LISTENING
Projects / Events
INTONAL 2027, Acousmonium performance, TBA, 2027
Ambisonics Weekend - Riga, live ambisonic dome performance, October 16-17, 2026
Kristineberg Marine Research Station, field study, October 6-9, 2026
(marine robotics and ROVs, microscopy and imaging, water sampling, underwater sound)
New Music ExChange, Artist in Residency, August 2026
Microtopies 2026, compilation album (Mothership), August 2026
Neurodivergent Music Studies Conference 2026 - presenting "Who owns listening?" ,
July 2026
Composer/Sound Designer with "Worst Practices" team,
May - June 2026
Acousmonium performance, Inter Arts Centre/Open Mixer, April 2026
Electroacoustic album, Dissecting the Old Classics, based on sampled vocal lines from famous operas.
2025-2026
Concentric, sound installation — documentation, July 2026
Adjacent Rooms living document RC 2026
Interactive headphone installation using higher-order ambisonics (HOA) within a virtual sound dome environment developed in UE.
2025-2026
Recent Works
Superimposed, 9'54", 5th order ambisonics, (2026, September)
Iterate to Exist, 7'00", fixed media, stereo, (2026, July)
Event Horizon, 11'09", 5th order ambisonics, (2026, July)
Mothership, fixed media, stereo, (2026, June)
The Fractured Stillness , 12'18", for Acousmonium (2026, April)
Dissecting the Old Classics / Micro-fragments: La Bohème: Sampled soprano and tenor voices with electronics (Acts I–II), part of an ongoing album. (2025, December)
Tribute to a Lost Spring for alto saxophone and electronics. (2025, December)
ReFactor, for two guitars and live electronics (2026, April – June)