She is a composer, sound artist, and independent researcher based in Sweden. With a background in acoustic and electroacoustic composition, her practice brings together sonic arts, coding, and research. Her current focus is on spatial audio and spatial composition through alternative artificial spaces for listening and composition.
We bring our own ways of listening
Projects / Events
Sensing Ocean: Art, Critical Practice, and Marine Technologies, Master's course, University of Gothenburg, Autumn 2026
Microtopies 2026, compilation album (Mothership), August 2026
Neurodivergent Music Studies Conference 2026 - presenting "Who owns listening?" ,
July 2026
Composer/Sound Designer with "Worst Practices" team,
May - June 2026
New Music ExChange Residency, August 2026
Acousmonium performance, Inter Arts Centre/Open Mixer, April 2026
Electroacoustic album, Dissecting the Old Classics, based on sampled vocal lines from famous operas.
2025-2026
Concentric, sound installation — documentation, July 2026
Adjacent Rooms living document RC 2026
Interactive headphone installation using higher-order ambisonics (HOA) within a virtual sound dome environment developed in UE.
2025-2026
Recent Works
Iterate to Exist, 7'00", fixed media, stereo, (2026, July)
Event Horizon, 11'09", for 16.1 Channel, 3th order ambisonics, (2026, July)
The Fractured Stillness , 12'18", for Acousmonium (2026, April)
Dissecting the Old Classics / Micro-fragments: La Bohème: Sampled soprano and tenor voices with electronics (Acts I–II), part of an ongoing album. (2025, December)
Tribute to a Lost Spring for alto saxophone and electronics. (2025, December)
ReFactor, for two guitars and live electronics (2026, April – June)